Abstract—In daily life, people tend to recognize and think
about intangible and difficult-to-define concepts with reference
to known, tangible, and concrete concepts, creating a way to
understand different concepts in relation to each other. In
Borges’ s short story “The Garden of Forking Paths” a
labyrinthine manuscript of a novel constantly avoids the concept
of time, while at the same time illustrating the infinite
possibilities of time. The time and labyrinth in the story can be
considered a pair of “structural metaphors.” The manuscript
written by Hsi P’êng is a symbol of the labyrinth of time, which
is like an ever-entwined network, a collection of contingencies,
nonlinearities, and multidimensionality. Another story, “The
Aleph” tells the tale of the protagonist who is drowned in
depression due to the death of his lover, Bejatric when by chance,
he discovers a secret hidden in his lover’s cousin’s basement, an
Aleph, two or three centimeters in diameter, which concentrates
all the images and scenes of the universe. The Aleph is the source
of his poetic talent, his hope of finding his deceased lover, and a
special “space” constructed by Borges through the metaphor of
a “mirror”. The objective of this dissertation is to briefly analyze
how Borges constructs a “labyrinth”to objectify his vision of
time in the story, and how he uses “mirrors” to express his vision
of space.
Index Terms—Spacetime concept, metaphor, Borges, “The
Garden of Forking Paths”, “The Aleph”
The author is with the Department of Spanish, Faculty of Spanish and
Portugal, Beijing Foreign Studies University, Beijing, China. E-mail:
namarienarsilion@foxmail.com
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Cite:Chen Rundi, "Analysis on the Space-Time Vision of “The Garden of Forking Paths” and “The Aleph”—From the Function of the Metaphor of Labyrinth and Mirror," International Journal of Languages, Literature and Linguistics vol. 9, no. 6, pp. 510-513, 2023.