• ISSN: 2382-6282 (Print); 2972-3108 (Online)
    • Abbreviated Title: Int. J. Lang. Lit. Linguist.
    • Frequency: Bimonthly
    • DOI: 10.18178/IJLLL
    • APC: 500 USD
    • Editor-in-Chief: Dr. Jason Miin-Hwa Lim
    • Managing Editor:  Shira.W.Lu
    • Indexed by:   CNKI, Google Scholar, Crossref,
    • E-mail: ijlll_Editor@126.com
HOME > Archives > 2024 > Volume 10 Number 1 (2024) >
IJLLL 2024 Vol.10(1): 108-113
DOI: 10.18178/IJLLL.2024.10.1.495

Cultural Anxiety in East Asian Clouded by “Tradition” and “Modernity”—Based on Chinese Scholars’ Studies on Religion Mixture in Akutagawa Ryūnosuke’s Kirishitanmono

Ling Qin
Department of Literature, University of Nankai, China
Email: qinling0307@163.com

Manuscript received August 16, 2023; revised September 30, 2023; accepted November 15, 2023; published February 25, 2024

Abstract—In Akutagawa Ryūnosuke’s series of Christian-themed works, known as “Kirishitanmono”, the conflicts between Buddhism and Christianity can be seen everywhere. Some Chinese scholars believed that Akutagawa broke down under the burden of the unbelievable speed of westernization in modern Japan because he was closer to the Japanese tradition. The aim of this paper is to revise the problem of this statement. By sorting out the history of both Buddhism and Christianity and using ‘perspective’ stated by Kojin Karatani, it can be revealed that this belief is actually a conceptual misalignment under the East Asian modern perspective, which contains the equivalence between local religion and tradition, as well as Christianity and modernity. Chinese scholars live in similar social and cultural environment as Akutagawa, thus such interpretation was just a repetition of their own perspective rather than an interpretation of Akutagawa’s work. By organizing all the Kirishitanmono of his, Akutagawa’s attitudes towards mixing religions can be shown: at first, he managed to accept foreign culture, only to find that it would leave the root of Japanese culture hanging; later he tried to domesticated foreign religions, finding that this would cause the modernity which the introduction of Christianity brought about dissolute. This paper focuses on this conceptual misalignment in Chinese scholars’ studies, reveals Akutagawa’s real struggle and constructs a new way interpreting the ‘tradition’ and ‘modernity’ in Japanese culture.

Keywords—Akutagawa Ryūnosuke, culture anxiety in East Asian, mixed religions in modern Japan, perspective, tradition and modernity

[PDF]

Cite:Ling Qin, "Cultural Anxiety in East Asian Clouded by “Tradition” and “Modernity”—Based on Chinese Scholars’ Studies on Religion Mixture in Akutagawa Ryūnosuke’s Kirishitanmono," International Journal of Languages, Literature and Linguistics vol. 10, no. 1, pp. 108-113, 2024.

PREVIOUS PAPER
Narrative Continuity and Natural Collective: Minimalism in Winter Recipes from the Collective
NEXT PAPER
On the “Occidentalized Indianness” behind “Blue” Image in Midnight’s Children from the World Literature Perspective
Copyright©2008-2024. International Journal of Languages, Literature and Linguistics. All rights reserved.
E-mail: ijlll_Editor@126.com