• ISSN: 2382-6282 (Print); 2972-3108 (Online)
    • Abbreviated Title: Int. J. Lang. Lit. Linguist.
    • Frequency: Bimonthly
    • DOI: 10.18178/IJLLL
    • APC: 500 USD
    • Editor-in-Chief: Dr. Jason Miin-Hwa Lim
    • Managing Editor:  Shira.W.Lu
    • Indexed by:   CNKI, Google Scholar, Crossref,
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IJLLL 2024 Vol.10(5): 432-435
DOI: 10.18178/IJLLL.2024.10.5.556

Research on the Reading, Writing, and Publishing Overview of Qing Dynasty Boudoir Writers

Xiaoxuan Xing
College of Technical Education, Shenzhen Polytechnic University, Shenzhen, China
Email: xxing7@szpu.edu.cn (X.X.X.)

Manuscript received June 11, 2024; revised August 7, 2024; accepted September 3, 2024; published October 31, 2024.

Abstract—During the Qing Dynasty, the development of woodblock printing made reading and publishing more convenient. Coupled with the development of noble families and relatively open-minded contemporary thoughts, women, who had previously been excluded from the literary field, began to acquire knowledge, create works, and publish collections. In the era when prefaces and postscripts were highly valued, boudoir writers also began to widely solicit prefaces and postscripts, forming a unique ecosystem of boudoir literature.

Keywords—historical background, female reading, female publishing, preface culture

Cite: Xiaoxuan Xing, "Research on the Reading, Writing, and Publishing Overview of Qing Dynasty Boudoir Writers," International Journal of Languages, Literature and Linguistics, vol. 10, no. 5, pp. 432-435, 2024.

Copyright © 2024 by the authors. This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited (CC BY 4.0).

 

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