• ISSN: 2382-6282 (Print); 2972-3108 (Online)
    • Abbreviated Title: Int. J. Lang. Lit. Linguist.
    • Frequency: Bimonthly
    • DOI: 10.18178/IJLLL
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IJLLL 2024 Vol.10(6): 465-469
DOI: 10.18178/IJLLL.2024.10.6.561

An Appreciation of Western and Eastern Streams of Consciousness in One Rainy Evening and the Mark on the Wall

Zhang Yingxin
Fujian Normal University, Fujian, China
Email: 18636364310@139.com (Z.Y.X.)

Manuscript received August 21, 2024; revised September 17, 2024; accepted October 5, 2024; published December 27, 2024.

Abstract—Stream of consciousness literature is a literary phenomenon that appeared on the Western literary scene at the beginning of the twentieth century. Stream of consciousness can be seen as a product of the psychoanalysis of Sigmund Freud, Carl Gustav Jung and Alfred Adler. The inner monologue is a technique used in novels to express the content and process of a character’s conscious activities. The analysis of the inner monologue in Shi Zhecun’s novel One Rainy Evening and Virginia Woolf's novel A Mark on the Wall shows the characteristics of the stream of consciousness between the East and the West. One Rainy Evening adopts a linear association in time and space, while A Mark on the Wall adopts a dispersion of consciousness with a dot as a node. There are similarities and differences between the two novels in the expression of stream of consciousness.

Keywords—stream of consciousness, one rainy evening, a mark on the wall, inner monologue

Cite: Zhang Yingxin, "An Appreciation of Western and Eastern Streams of Consciousness in One Rainy Evening and the Mark on the Wall," International Journal of Languages, Literature and Linguistics, vol. 10, no. 6, pp. 465-469, 2024.

Copyright © 2024 by the authors. This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited (CC BY 4.0).

 

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